Cortesía de Lévy Gorvy Gallery

Dominique Lévy

  • Datos biográficos

    Reside en Nueva York, New York, Estados Unidos

  • Noted collector, advisor, and gallerist Dominique Lévy is considered a foremost authority on the global art market and is regarded as one of its most influential figures. In September 2013, Lévy opened her eponymous gallery in New York, which has since hosted a dynamic program of exhibitions, performances, and publications. Known for her innovative curatorial approach, Lévy inaugurated her New York gallery with the critically acclaimed exhibition Audible Presence: Lucio Fontana, Yves Klein, Cy Twombly, accompanied by the first public performance of Yves Klein’s groundbreaking Monotone-Silence Symphony in the United States. In October 2014, Dominique Lévy opened a second location on Old Bond Street in London’s Mayfair district. Among the many important exhibitions presented by the gallery have been Boris Mikhailov: Four Decades (2013–2014); the trans-Atlantic, two-city exhibition Local History: Castellani, Judd, Stella (2014–2015); Body and Matter: The Art of Kazuo Shiraga and Satoru Hoshino (2015); Alexander Calder: Multum in Parvo (2015), in a collaboration with renowned architect Santiago Calatrava; Gerhard Richter: Colour Charts (2015); and Günther Uecker: Verletzte Felder (2016). In conjunction with the exhibition program, Dominique Lévy gallery produced a series of catalogues and monographs, including original essays by renowned art historians and writers and previously unpublished archival material. The gallery’s commitment to the arts expanded with the founding of a poetry program; it published newly commissioned work by over twenty poets. In January 2017, Dominique Lévy partnered with Brett Gorvy to create Lévy Gorvy, expanding its New York location to occupy the entirety of the historic landmark building at 909 Madison Avenue. Lévy’s early career was defined by her experiences at world-renowned auction houses and galleries in Switzerland, France, and the UK. In the late 1980s, she was hired by Swiss auctioneer and collector Simon de Pury at Sotheby’s, where she remained for four years. She subsequently worked with French art dealer Daniel Malingue when he opened his own gallery, and then collaborated with co-director Simon Studer on an independent curatorial enterprise. In the mid-1990s, she joined the team of influential London dealer Anthony d’Offay, where she specialized in postwar American art. From 1999 to 2003, Lévy was the International Director of Private Sales at Christie’s, New York, heading the department that she had played an instrumental role in developing. During this time, she brokered the sale of numerous 19th and 20th-century masterpieces while focusing on developing relationships with cultural institutions, museums, and private collectors. In 2003, she founded Dominique Lévy Fine Art, an advisory service that allowed her to focus on building long-term relationships with clients. In 2005, Lévy co-founded L&M Arts, a gallery with locations in New York and Los Angeles. The bi-coastal gallery provided comprehensive client services and organized acclaimed exhibitions of modern and postwar art, such as Tanguy Calder: Between Surrealism and Abstraction (2010), John Chamberlain: Early Years (2009), and Tom Wesselmann: The Sixties (2006). The gallery staged three Willem de Kooning exhibitions as well as presentations of new work by visionary contemporary artists including David Hammons and Paul McCarthy. Lévy is a dedicated champion of the arts at large and supports various philanthropic efforts. She provides critical support to arts, literature, and performance institutions including Asia Society, MoMA PS1, the Jewish Museum, the Studio Museum in Harlem, and the Israel Museum. The Swiss Institute honored Lévy in 2015 at its annual gala, celebrating her career both as a philanthropist and a gallerist; she is currently a member of the Institute’s board of trustees. Lévy recently joined the board of the Representation Project, an initiative that works for gender and sexual orientation equality in film.