Cortesía Galería Lehmann Maupin

Adriana Varejão

  • Datos biográficos

    Nació en 1964 en Rio de Janeiro, Brasil

    Reside en Rio de Janeiro, Brasil

  • Adriana Varejão (Río de Janeiro, 1964) es una de las principales voces en el arte brasileño contemporáneo.  Entre sus más recientes exposiciones está: Borås Konstmuseum, Suecia (2000); “Azulejões,” Centro Cultural Banco do Brasil, Brasília (2001); “Chambre d’échos / Câmara de ecos,” Fondation Cartier pour l´art Contemporain, Paris (2005, traveled to Centro Cultural de Belém, Portugal; and DA2, Spain (2005); Hara Museum of Contemporary Art, Tokyo (2007); Inhotim Centro de Arte Contemporânea, Brumadinho, Brazil (2008); “Histories at the margins,” Museu de Arte Moderna de São Paulo, Brazil (2012); “Histories at the margins,” Museu de Arte Moderna do Rio de Janeiro, Brazil (2013, traveled to Museo de Arte Latinoamericano de Buenos Aires—MALBA, Argentina); The Institute of Contemporary Art, Boston (2014); “Pele do Tempo,” Fundação Edson Queiroz, Fortaleza (CE), Brazil (2015); y “Kindred Spirits,” Dallas Contemporary, Texas (2015). Varejão, actualmente, vive y trabaja, en Rio de Janeiro, Brasil. Bio (english) Adriana Varejão was born in 1964 in Rio de Janeiro, Brazil, where she lives and works. Major institutional exhibitions include “Azulejões,” Centro Cultural Banco do Brasil, Rio de Janeiro and Brasília, Brazil (2001); “Chambre d’échos / Câmara de ecos,” Fondation Cartier pour l´art Contemporain, Paris (2005, traveled to Centro Cultural de Belém, Lisbon; and DA2, Salamanca, Spain); Hara Museum of Contemporary Art, Tokyo (2007); “Adriana Varejão - Histórias às Margens,” Museu de Arte Moderna de São Paulo, Brazil (2012, traveled to Museu de Arte Moderna do Rio de Janeiro, Brazil; and Museo de Arte Latinoamericano de Buenos Aires (MALBA), Argentina in 2013); “Adriana Varejão,” The Institute of Contemporary Art, Boston (2014); and “Adriana Varejão: Kindred Spirits,” Dallas Contemporary (2015). She participated in the Bienal de São Paulo (1994, 1998); the 12th Biennale of Sydney (2000); the International Biennial Exhibition, SITE Santa Fe (2004); Liverpool Biennial (1999, 2006); Bucharest Biennale (2008); Istanbul Biennial (2011); “30x Bienal,” Fundação Bienal de São Paulo (2013); Bienal do Mercosul, Brazil (1997, 2005, 2015); and the first Bienal de Arte Contemporânea de Coimbra, Portugal (2015). In 2008, a permanent pavilion dedicated to Varejão’s art was inaugurated at Inhotim Centro de Arte Contemporânea, Brumadinho, Minas Gerais, Brazil. In 2016, she was commissioned to produce a temporary mural based on her epic work Celacanto provoca maremoto to cover the entire facade of the Centro Aquático for the 2016 Summer Olympics in Rio de Janeiro


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